What broadcast technicians make
Median
$77,000
Lower end
$51,000
Upper end
$106,000
Job Bank's national median is $37.09 an hour, about $77,000 a year full time.
Keep TV (television), radio and live streams on the air. Cameras, audio, transmitters and the gear nobody sees.
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Programs in the fields this career usually comes through. Each has its own page: what it takes to get in, the courses you need and what it costs.
The median pay is about $77,000 a year. Across everyone in the job it runs from about $51,000 at the lower end to about $106,000 at the upper end. The source is listed under Sources at the end of this page.
2 to 3 years after high school, on the usual route.
$9,000 to $16,000 all in for tuition, fees, exams and kit. Living costs are not counted.
No. There is no licence to hold, though many employers still ask for training or a certificate.
Limited demand nationally, from government outlook data. Demand varies by region, so check your area.
Or read the whole thing here
What you earn and what it costs to get there.
Median
$77,000
Lower end
$51,000
Upper end
$106,000
Job Bank's national median is $37.09 an hour, about $77,000 a year full time.
$39.39 an hour
The median in New Brunswick, the highest in Canada
Ontario ($38.03) is close behind, and British Columbia is lowest at $36.23. Most people start on overnight or weekend shifts in master control, or as a camera and audio operator at a small station.
Day rates and overtime
Freelance crews on sport and concerts, plus travel money
Freelancers on live sport and concerts are paid a day rate. Long game days, playoff overtime and out-of-town travel all add money, which is why on-paper salaries understate what busy people earn.
Roughly, all in
$9,000 to $16,000
Tuition, fees, exams and kit. Not rent, food or travel
A two year college diploma at about four thousand four hundred dollars a year for domestic students is the main cost, and the three year advanced diploma runs at the same yearly rate for one more year. The low end is the two year route plus basic tools and safety gear, a cable tester, a multimeter, boots and gloves. The high end is three years plus the laptop and software most programs require you to own. Tuition here is roughly a fifth of a four year degree, and most programs include a placement, so you finish with real credits as well as a diploma.
Tuition here is about a fifth of what a four-year degree costs, and most programs include a placement, so you finish with a credit list as well as a diploma.
Union coverage
Many station and crew jobs are covered by agreements with pension and health plans.
Overtime and meal penalties
Live production runs long and the contract usually pays for it.
Travel
Sports and touring crews travel constantly, with per diem money on the road.
A seat at everything
You will work a lot of games and concerts from the best position in the building.
The exact path from high school to qualified.
A college program plus a placement, then you learn the rest on air.
High school diploma
Grade 12
Grade 12 English and as much physics, math and electronics as you can take.
Broadcast or electronics program
2 to 3 years
A two-year Ontario college diploma such as Seneca Polytechnic's broadcasting television program, four semesters with a mandatory 100-hour field placement. Some colleges run a three-year advanced diploma instead.
Placement and campus station
During school
Work the college radio or television station from your first semester. Crew calls come from people who saw you work.
First job or freelance crew list
After graduation
Master control, audio assist, camera, or utility on a sports truck. Getting onto a crewing list matters more than a resume.
Specialize
3 to 8 years in
Audio, video engineering, transmitters, streaming and networks. Specialists get the senior money.
Physics
Signal, power and radio waves are physics.
Electronics or technology
Soldering, circuits and troubleshooting.
Computer studies
Modern broadcast gear is mostly computers on a network.
Music or media arts
A trained ear and eye is the part of the job you cannot look up.
Nobody licenses the technician. The station is licensed instead, by the CRTC (Canadian Radio-television and Telecommunications Commission), and its transmitter is certified under federal rules. What that means for you is strict logging, hard technical limits and real consequences when something goes off the air. Employers care about your placement, your crew references and whether you stay calm when a live feed drops.
In Quebec the training is a 3 year CEGEP (public college) program in film and television techniques, with no tuition for Quebec residents, instead of a 2 year college diploma.
Finish Secondary V
Age 16 or 17
No set courses are required for the program.
Techniques cinématographiques et télévisuelles DEC (Diploma of College Studies)
3 years
Program 589.C0: camera, lighting, sound, editing and live control room work. Graduates work as camera operators, sound and recording technicians and editors.
Where to take it
At Cégep de Jonquière's media school, where year one can now be taken at Cégep du Vieux Montréal, or at Cégep Limoilou from fall 2026. Collège Bart also offers it.
Apply through SRASL
Jonquière takes applications through SRASL (its regional admissions service), not SRAM (the Montreal one). If you are refused, you can send a résumé and a 2 minute video.
Work placement, then work
Final term
The last term includes a 5 week work placement. Then stations, production houses and live event crews.
Things you don't need, but that help.
Networking
Video now runs over computer networks. People who understand both are short in supply and paid for it.
Audio engineering
Live mixing for broadcast is its own craft and travels well into music and events.
Transmitter and radio-frequency work
Fewer people every year can do it, and stations must keep transmitters running.
Streaming platforms
Encoders, bitrates and delivery to online services. Where the new work is.
Driver's licence
Crews move trucks and gear. A clean licence gets you called.
Working at heights training
Needed for rigging cameras, lights and antennas.
Campus or community radio experience
Costs nothing, and it is real airtime you can point to.
Basic Red Cross first aid
Cheap and often asked for on live event crews.
Day to day, pros and cons, where you'd work.
Come in early, check the gear, build the show: cables, cameras, microphones, graphics. Rehearse. Then go live and stay ready to fix anything while it is happening, without the audience noticing. When the show ends you tear it all down and load the truck. Master control shifts are quieter: watch the feeds, run the logs, switch to a backup the second something fails. Nights, weekends and holidays are normal because that is when people watch.
The good
The hard parts
Things people don't tell you.
Job Bank counts only about 1,500 broadcast technicians in Canada in 2023, and 56% of them were 50 or older. Retirements will open spots even as stations shrink.
A national game can involve a dozen or more cameras, a production truck parked outside the arena, and a crew of 30 or more. Most of them are technicians, not people you ever see or hear.
Stations keep backup feeds, backup transmitters and emergency playlists precisely so silence never happens. Learning what to switch to, in seconds, without thinking, is a large part of the training.
Every list is built from the same numbers shown above, so you can see where this career sits next to the others.
Film, TV and music first, then the rest of the field. See every career in creative.
Last checked October 2026. Pay figures are typical full-time annual amounts in Canadian dollars, based on Government of Canada Job Bank wage data and published salary grids. They vary by province, employer and experience. Tuition is for domestic students. How every figure on this site is sourced and checked.
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